The 1994 movie Rumble in the Bronx, which launched Jackie Chan into international superstardom overnight, was the result of a carefully-planned effort to bring Jackie to Western audiences. Chan, already in his 40s at the […]
Author: Tyler Peterson
Tyler Peterson is a writer from Iowa. His work has appeared on The Agony Booth, Points In Case, Film Daily, and others.
UNCLARITY OF PURPOSE: THE NATURE OF COMEDY AND THE ENDURING APPEAL OF ‘PCU’ (1995)
“The strange thing about Political Correctness,” wrote Roger Ebert in his 1994 review of PCU, “is that it seems to have many opponents and no supporters. No one ever describes themselves as Politically Correct, and […]
NAME DROP: WHAT HOWARD KAYLAN’S ‘MY DINNER WITH JIMI’ GETS RIGHT ABOUT THE ROCK BIOPIC
In 2016, I went with my mom and my aunt to go see The Turtles play. It was a good time– Iowa’s a good state for that sort of thing. We went to see them […]
PRETTY PARTS, UGLY WHOLES: SEX, LONELINESS, AND INCEL PANIC IN MAY
By now you’re assuredly at least somewhat familiar with the term “incel.” An abbreviation of “involuntarily celibate,” the word refers to a group of people – mostly young, mostly male – united by extreme difficulty […]
“READ MY LIPS – NOT X RATED!” 1995’S EVIL ED TACKLES CENSORSHIP, PUNK, AND POLITICS
PUMP UP THE COLUMN EXPLORES THE MANY INTERPRETATIONS OF PUNK AESTHETIC USED IN CINEMA Genre film – in particular, horror – and punk rock have enjoyed a long and comfortable kinship. For bands like The Misfits and The Cramps, […]
HUMBUG: ELF, A SACK OF SUPERFICIAL SPIRIT
The “Christmas movie” is a vital part of the experience of Christmas under modern consumer capitalism, which sustains itself by transforming vital human experience into commodities and selling them back to us. Christmas is red […]